THE ARCTIC FRANKENSTEIN
A collaborative project with Alan Berman for the Arctic Circle ship sailing in 2022. We propose to broadcast out onto the tundra an original song to the lost creature of Mary Shelley's novel, Frankenstein, a song of apology begging the forgiveness of the creature who was rejected and reviled by his creator, hence distorting him into a monster. In the book, the creature was last seen in the Arctic, jumping from a ship and disappearing onto the ice floes, promising suicide.
Yet, it has been noted that the creature is intelligent, ingenious and might not have been sincere in his final statement. He is portrayed as super-human and expert at survival and could very well still be at large in the Arctic...
Composition by Alan Berman, Lyrics by Duff.
The creator of the “monster,” Viktor Frankenstein, personifies the hubris, ambition, and greed of men who have disordered nature, resulting in catastrophic conditions of suffering. The ship captain, too, is driven by ambition, risking the lives of his crew simply so he can reach the North Pole. The monster embodies the state of the world in climate crisis—the current conditions of the arctic ice—vulnerable and for whom the creator takes no responsibility. Instead, creator denies his own creation, turning it into a monster.
Poetical as well as political, dramatic rather than documentary, the performance brings a sense of tragic blunder to the scene of a disappearing world. The human-made creature and human-made climate collapse are colossal mistakes the song says we want to amend, sins for which we beg absolution. Climate collapse is our creation, our monster. Monstrousness is destroyed by love.
The song will be performed live on site by Dana Berman
Duff, after taking a series of voice lessons. The song will be accompanied by a recording of the music by accomplished musicians: violinist Sarah Parkins and cellist Maggie Parkins.
The music is built of colliding monophonic sections, echoing the ice floes' inexorable movement. In the context of the vast frozen emptiness, the song being broadcast is witnessed with a sense of sad futility in the knowledge that there is, in reality, no receiver of the song other than the witnesses on the ship, who merely “overhear” it.
Duff and Berman will undertake the journey to the Arctic by spending least amount of carbon fuel as possible, taking a train across the United States and a freighter across the Atlantic Ocean to get to Norway.
Documentation of the project and a live performance of the song by the musicians will be presented later in Los Angeles.