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The Universe Breathes Us

by Relational (Shirley Tse and Dana Berman Duff )

at Kling & Bang, Reykjavik, Iceland

August 16–Sept 25, 2025

with sonic work by Douglas Farrand, song by Alan Duff Berman and Dana Berman Duff recorded by C3LA (Choral Collective Los Angeles), and performed live by singers from Reykjavik led by Thomas Stankiewicz

​The Universe Breathes Us is an artists’ collaboration that takes tidal turbine energy as a model that reveals a physical truth: forces originate from the relations of things, not from things themselves. The artists are drawn to the poetics of ocean tides as a manifestation of the gravitational forces between the Sun, Earth and Moon, forces which can be used as a source of collectable energy. The artists connect this energy model to human body breathing, where air moves by pressure differentials or its relative density:

 

It is important to note that in spite of how it feels when you inhale, you do not actually pull air into the body. On the contrary, air is pushed into the body by the atmospheric pressure that always surrounds you. This means that the actual force that gets air into the lungs is outside of the body. The energy expended in breathing produces a shape change that lowers the pressure in the chest cavity and permits the air to be pushed into the body by the weight of the planet's atmosphere. In other words, you create the space, and the universe fills it.

—From Yoga Anatomy, Leslie Kaminoff and Amy Matthews

 

The relation between tides and breathing is well established in physiology, as the term “tidal volume” refers to the amount of air that moves in or out of the lungs with each respiratory cycle.

The moon is an important motif in this exhibition, reflecting the relational tension of its colossal mass to the earth’s tides, of light and dark, of day and night, of ocean waves rising and falling. By highlighting the intangible connection between things, this exhibition counters the concept of isolated individuals who are discrete and separate from other living beings.

The Universe Breathes Us song performance within the exhibition The Universe Breathes Us by Relational (Shirley Tse and Dana Berman Duff), Reykjavik, Iceland 2025.

Conductor: Thomas Stankiewicz. Singers: Arna Mjöll, Arvid Ísleifur, Breki Sigurðarson, Dagný Guðmundsdóttir, Dagur Bjarnason, Helga Guðný Hallsdóttir, Júlíus Máni Sigurðsson og Sigríður Þorsteinsdóttir

​

The Universe Breathes Us    by Alan Duff Berman and Dana Berman Duff, 2025
1.
When the space is open,
When the pressure drops low,
The atmosphere enters,
And the air pushes through.
The force that transports it
From the world to the lungs
is outside the body,
Not within.

 

[Chorus]
When the space is open,
The universe fills it.
When the body’s ready,
The universe fills it.
When the self is empty,
The universe fills it.

 

2.
Surrounding your body,
the atmosphere sings.
When pressure is true,
the air will flow through.
It's the breath that breathes me—
Inside and out:
I'm part of it all, all along.


[Chorus]


[Audible breathing for 30 seconds]

 

Gallery A: Shirley Tse videos on monitors:

Lompoc Stories, 2022, looped digital video, 2 minutes 43 seconds
The Arctic Circle, 2023, looped digital video, 15 minutes 41 seconds. 
Orkney Moon, 2024, looped digital video, 10 minutes 49 seconds. 
Orkney Moon, 2025, mounted digital photograph, 30 x 40 inches. 

​

Large Gallery:

Moonlight/Moonbeam, 2025, Dana Berman Duff, moonlight blue window gels with hole, dimensions variable

The Universe Breathes Us, Alan Duff Berman and Dana Berman Duff, 2025, song for choir, both live and recorded. With wall text and handouts.

Other Side of the Moon, 2025, Dana Berman Duff, video projection, 2 hours 37mins. Scaled from the diameter of the Moon to a 12' wall. Always in light, it's the Sun's view of the Moon—never seen on Earth.

Breathers, 2025, Dana Berman Duff and Shirley Tse, set of 4 mounted digital photographs, 18 x 31” (45cm x 78cm), Shirley Tse's experiments photographed by Duff.

hearing as distance, 2025, Douglas Farrand, composition for sine-tones and recordings structured on the tidal movements of Reykjavik, between 6 and 9 hours each day for 32 days.

Six Bobbing Moons, Shirley Tse, 2025, plastic screen/aluminum rods/locally available stone.

​

Gallery C:

Sun and Moon, 2025, Dana Berman Duff, 16mm projector, 16mm film, rice paper, tape, found modeling paste, repurposed brown paper.

The projector, representing the sun, is continually running with its light illuminating the paper “moon.” But the film has run out, so besides the whirr of the motor, it produces the familiar and alarming flapping sound of the ending of an actual film.

Studio shoot of Sun and Moon, 2025 (16mm projector, 16mm film, rice paper, tape, found modeling paste, repurposed brown paper, Orkney grass and soil, kicking)

The projector, representing the sun, is continually running with its light illuminating the paper “moon.” But the film has run out, so besides the whirr of the motor, it produces the familiar and alarming flapping sound of the end of a reel of film.

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